My work grows out of a documentary gaze, but it does not end there.

I begin with what is real and tangible — a place, a face, a fragment of everyday life — and then move toward what escapes simple description: the states beneath the surface, the silences that carry memory, the fragile presence of time.

Photography, for me, is both evidence and interpretation. It holds traces of the world as it is, yet it also opens a space for what is impossible to measure or fix. I am interested in how documentary images can expand beyond fact, becoming a vessel for inner experience, vulnerability, and transformation.

I see the camera as a witness that listens rather than judges. In my practice, the documentary is not about control or proof, but about staying close to what is unfolding, about recognizing meaning in what might otherwise go unnoticed.

Ultimately, my work seeks to hold this tension — between reality and its echo, between memory and imagination, between the visible and the invisible — creating images that invite reflection rather than closure.